Q: Is the Casting Top true to size?
A: Yes. The brand’s sizing chart aligns with standard US measurements. Because the silhouette is intentionally relaxed, many customers size down for a more fitted look.
Q: Can I wear it in summer?
A: Absolutely. Tencel’s breathability and moisture‑wicking properties make it ideal for warm days. Pair it with linen shorts or a breezy skirt for a cool, polished vibe.
Q: How sustainable is the production?
A: The top is made from either 100% certified organic cotton or Tencel® sourced from responsibly managed eucalyptus forests. Production uses low‑impact dyes and renewable energy in the majority of factories.
Q: Does the hidden zip affect durability?
A: The zipper is a high‑quality YKK metal zipper, reinforced with stitching at both ends. It’s designed to last as long as the garment itself.
Q: Is there a plus‑size option?
A: Yes! The top comes in sizes up to XXL (and often a 3X in select retailers). The relaxed cut ensures a flattering fit for a wide range of body types.
Given that Susan Ayn is no longer actively producing (the brand dissolved in the early 1990s), finding a legitimate top requires detective work.
If you want, I can:
Ready to upgrade your everyday look? Click the link below to shop the Susan Ayn Casting Top now and experience the perfect marriage of style, comfort, and sustainability.
👉 [Shop the Casting Top – Susan Ayn Official Store]
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The fluorescent lights of the casting suite hummed a low, indifferent note. Susan Ayn sat alone at a long folding table, the only thing separating her from the empty chair opposite being a stack of headshots and a single, black, leather-bound script. On the cover, in stark white letters, were the words: THE CATCH.
This was the top. The final room. After seven rounds of auditions, chemistry reads, and callbacks, she was the last one standing for the lead in what everyone was calling the project of the decade. But Susan knew a secret the producers didn't: she was terrified.
Not of the lines. Not of the monologue she had prepared until it felt like a second skin. She was terrified of the chair.
In every other round, there had been a table between her and the director. A buffer. A desk to lean on, to hide behind. But here, at the top, the final test was intimacy. The directions in the script were sparse: Scene 24. The confession. No furniture. Just two chairs.
The door clicked open. Director Mara Vance entered, her presence a quiet thunderclap. She wasn't loud. She was precise. She carried no script, only a small brass bell. She placed it on the table, then dragged the empty chair so it sat exactly three feet from Susan’s.
"Sit here," Mara said, pointing to the chair.
Susan swallowed. "I have a monologue prepared."
"No, you don't," Mara said, finally looking at her. "You have a scene. And I need to see if you can receive."
Susan stood, her legs stiff, and moved to the designated chair. Now there was no table. No stack of headshots. Just two actors—one known, one unknown—knees almost touching. The air felt thinner. Q: Is the Casting Top true to size
Mara sat opposite her, leaned forward, and spoke softly. "Your character, Elena, has just discovered that her best friend lied to save her. The lie destroyed the friend’s life. The line you have is: 'I would have rather drowned.' But I'm not going to say the cue line. You are. You will say it to me, and I will simply be present. No reaction. Just being. And you will say it until I ring the bell."
Susan's heart became a fist. This was the casting top—the final altitude where lesser actors froze. She had been trained to perform, to project, to control. This demanded the opposite: surrender.
She took a breath, looked into Mara’s patient, unreadable eyes, and began.
"I would have rather drowned," she whispered.
It sounded false. Like a line.
She tried again, louder. "I would have rather drowned." Better, but still an announcement.
A third time, she let her shoulders drop. She imagined the friend—a girl she'd actually betrayed in high school, a ghost she'd buried for a decade. She let the ghost rise. She leaned in, her voice cracking on the word "drowned," her hand reaching for Mara's wrist without permission.
"I would have rather drowned."
Mara didn't flinch. She didn't smile. She just… held space. And in that silence, Susan felt the scene flip. She wasn't acting anymore. She was confessing. The terror of the chair, the nakedness of no table, the lack of a script—it all became the character's own desperation. Given that Susan Ayn is no longer actively
She said it a fourth time, tears spilling over, her voice a raw, broken thing. "I would have rather drowned than let you save me."
That wasn't the line. She had improvised. She had added words. She had broken the text.
She froze, horrified.
Mara reached out and rang the small brass bell. The note hung in the air, pure and clear.
Then, for the first time, Mara smiled. It was a small, grave thing.
"Susan Ayn," she said, standing up. "You just told me the truth in a room full of lies. The role is yours."
Susan sat stunned, the ghost of the confession still shaking in her hands. She had climbed through every lower room—the cattle calls, the cold reads, the waiting. But only here, at the top, in the terrifying emptiness of just two chairs, had she finally stopped casting for the part and started being it.
She stood up, wiped her face, and for the first time, looked Mara directly in the eye without fear.
"Thank you," she said. And she meant it for the lesson, not the job.
Susan Ayn is a Czech-born actress and model whose "top paper" refers to professional industry documentation, such as a casting profile, portfolio, or the official biography on IMDb. These documents outline her career as an actress, including her 5′ 8″ height and credits under various aliases. For the full biography, visit IMDb. Susan Ayn - Biography - IMDb
Overview. Born. October 11, 1991 · Czech Republic. Nicknames. Kira. Susan K. Susana. Lyda. Paulina. Ludmila. Suze. Height. 5′ 8″ ( Susan Ayn - Biography - IMDb